Top ten films with a theatrical release in Melbourne, Australia in 2010
1. Inception (Christopher Nolan, 2010)
This almost clinical and mechanical representation of the human subconscious facilitated an extraordinary exploration of cinematic space in order to deliver an intriguing heist story with wonderfully thrilling action sequences. This year’s masterpiece.
2. Enter The Void (Gaspar Noé, 2009)
This mesmerising assault on the senses by the director of Irréversible was a strange, brilliant and audacious first-person head-trip into drugs, death, sex and the neon lit metropolis of Tokyo.
3. Shutter Island (Martin Scorsese, 2010)
Martin Scorsese’s latest film was a typically brilliant example of subjective filmmaking, but where the point-of-view belongs to an unreliable protagonist. A sophisticated exercise in film style dressed up as a pulp thriller. So much more than a spot-the-twist film.
4. Animal Kingdom (David Michôd, 2010)
The Australian film to receive the most hype this year was also the most deserving. The low-key filmmaking resulted in a tense, gritty and at times horrifying crime drama.
5. Toy Story 3 (Lee Unkrich, 2010)
The combination of tight writing, powerful sentiment, humour and characters with so much heart delivered one of the greatest animated films ever made. Possibly the most perfect resolution to a trilogy too. Not a dry eye in the house.
6. Blue Valentine (Derek Cianfrance, 2010)
An extraordinarily empathetic film about the everyday and commonplace tragedy that love doesn’t always prevail. Contains the year’s strongest performances from Michelle Williams and Ryan Gosling.
7. The Secret in Their Eyes (El secreto de sus ojos, Juan José Campanella, 2009)
The surprise winner of the Best Foreign Language Film Oscar this year, this Argentinean murder mystery/romance contains hidden depth. A thrilling and intriguing genre film in its own right but also a moving representation of Argentina’s history of political turmoil.
8. The American (Anton Corbijn, 2010)
To reduce this to merely a generic hit man film ignores how immaculately crafted Corbijn’s second film is. The rich use of style and homage offers multiple rewards for a visually literate audience.
9. The Killer Inside Me (Michael Winterbottom, 2010)
Another great example of subjective filmmaking where the film gets increasingly deranged as its psychopathic protagonist increasingly loses his grip on reality. A superb adaptation of Jim Thompson’s hardboiled novel featuring some incredibly upsetting acts of violence.
10. Splice (Vincenzo Natali, 2009)
It wasn’t an old-school David Cronenberg film but the glorious blend of science-fiction, horror, melodrama and psycho-sexual thriller made it feel like one. Transgressive wicked fun.
11. The Road (John Hillcoat, 2009)
12. Boy (Taika Waititi, 2010)
13. The Social Network (David Fincher, 2010)
14. Kick-Ass (Matthew Vaughn, 2010)
15. Crazy Heart (Scott Cooper, 2009)
16. The Messenger (Oren Moverman, 2009)
17. Scott Pilgrim vs. The World (Edgar Wright, 2010)
18. The Kids Are All Right (Lisa Cholodenko, 2010)
19. A Prophet (Un prophète, Jacques Audiard, 2009)
20. Let Me In (Matt Reeves, 2010)
Top ten unreleased films
(Films with either very short seasons or only festival screenings, and to the best of my knowledge aren’t scheduled for a general release in 2011).
1. Son of Babylon (Mohamed Al Daradji, 2009)
2. I Love You Phillip Morris (Glenn Ficarra and John Reque, 2009)
3. Lourdes (Jessica Hausner, 2010)
4. The Illusionist (L’illusionniste, Sylvain Chomet, 2010)
5. Poetry (Shi, Lee Chang-dong, 2010)
6. Nobody’s Perfect (Niko von Glasow, 2008)
7. William Kunstler: Disturbing the Universe (Emily Kunstler and Sarah Kunstler, 2009)
8. When You’re Strange (Tom DiCillo, 2009)
9. World’s Greatest Dad (Bobcat Goldthwait, 2009)
10. The Army of Crime (L’armée du crime, Robert Guédiguian, 2009)
1. The Red Shoes (Michael Powell and Emeric Pressburger, 1948) at the Astor Theatre.
2. Psycho (Alfred Hitchcock, 1960) with a live orchestra at the Melbourne International Film Festival.
3. Tim Burton: The Exhibition at the Australian Centre for the Moving Image.
4. The Federico Fellini, Akira Kurosawa and Jacques Demy seasons plus the Max Ophuls and Tod Browning nights at the Melbourne Cinémathèque.
5. The experience of seeing The Room (Tommy Wiseau, 2003) as part of the on-going Cult Cravings program at Cinema Nova.