Top Twenty Films of the 2000s

Eternal Sunshine of the Spotless Mind

I’ve been wanting to put together a best films of the 2000s list for a while now but felt it was appropriate to allow some distance before doing so (plus I’ve been a bit slack). I also wanted to catch up on many of the important films that I had missed over the past decade but I quickly came to my senses and realised that was an almost impossible task as the list of films that I must see is forever getting longer rather than shorter. After creating a short list of 100 possible films I was able to get down to a list of my personal favourite twenty films from the past decade.

My methodology was to simply list all the films that I’d given 5 or 4½ stars to and go from there. I tried not to pay too much attention to how I preferentially ordered films in my yearly best-of lists as my feelings about films do change upon reflection and repeat viewings. In the end the films that I included are the films that have long continued to linger in my mind, compelled me to watch them again or simply get me excited just by thinking about them.

Mulholland Dr.

Apart from one or two left-field selections I am aware that my list is hardly revolutionary but in the end I went with personal choices rather than attempt to make an all encompassing list of the most significant, important or influential films, which has been done very impressively elsewhere. So here are my top twenty films from the 2000s:

1. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)
2. Mulholland Dr. (David Lynch, 2001)
3. Kill Bill: Vol. 1 (Quentin Tarantino, 2003)
4. Irréversible (Gaspar Noé, 2002)
5. The Proposition (John Hillcoat, 2005)
6. Dancer in the Dark (Lars von Trier, 2000)
7. Balibo (Robert Connolly, 2009)
8. Hero (Ying xiong, Zhang Yimou 2002)
9. Lost In Translation (Sophia Coppola, 2003)
10. There Will Be Blood (Paul Thomas Anderson, 2007)
11. No Country for Old Men (Ethan Coen and Joel Coen, 2007)

12. Russian Ark (Russkiy kovcheg, Aleksandr Sokurov, 2002)
13. Punch-Drunk Love (Paul Thomas Anderson, 2002)
14. Donnie Darko (Richard Kelly, 2001)
15. Eastern Promises (David Cronenberg, 2007)
16, Control (Anton Corbijn, 2007)
17. Conversations with Other Women (Hans Canosa, 2005)
18. Mysterious Skin (Gregg Araki, 2004)
19. Hunger (Steve McQueen, 2008)
20. Waltz with Bashir (Vals Im Bashir, Ari Folman, 2008)


Kill Bill: Vol. 1

Even though in 2004 I originally listed Irréversible above Eternal Sunshine of the Spotless Mind (Irréversible was released late in Australia) subsequent repeat viewings of Eternal Sunshine of the Spotless Mind established it for me as a masterpiece of modern cinema. It’s a film that I can engage with on a deeply emotional and critical level as well as being able to appreciate just how well crafted a film it is.  To an extent the same can be said of all films on this list.

Mulholland Dr, Kill Bill: Vol.1, No Country for Old Men and Eastern Promises aren’t the best films by their respective directors but nevertheless reflect the incredible ongoing contribution that those directors have made to modern cinema. Unexpectedly Paul Thomas Anderson is the only director to appear twice with Punch-Drunk Love that, along with Lost in Translation, Donnie Darko and Mysterious Skin, represents the remnants of the 1990s American indi at its best while There Will Be Blood reflects a bold throw back to the grand narratives of classical Hollywood cinema.

Irréversible

Australian cinema peaked twice in the 2000s with The Proposition representing the middle spike and Balibo representing the incredible spike right at the end of the decade. Dancer in the Dark is von Trier’s masterpiece, Hero was the pinnacle of the ‘art house martial arts’ films and Control is the best musical biopic ever made (although I will admit to my heavy bias due to my love of Joy Division). Finally, some of the most distinctive cinema from the 2000s are the films that successfully did something original and daring with film form and style and they are represented on this list with Irréversible, Russian Ark, Conversations with Other Women, Hunger and Waltz with Bashir.

Here are the remaining 80 films from my shortlist, ordered alphabetically:

4 Months, 3 Weeks & 2 Days (4 luni, 3 saptamâni si 2 zile, Cristian Mungiu, 2007)

24 Hour Party People (Michael Winterbottom, 2002)
28 Days Later… (Danny Boyle, 2002)
Amelie (Le fabuleux destin d’Amélie Poulain, Jean-Pierre Jeunet, 2001)
American Splendor (Shari Springer Berman and Robert Pulcini, 2003)
Antichrist (Lars von Trier, 2009)
Artificial Intelligence: AI (Steven Spielberg, 2001)
Atonement (Joe Wright, 2007)
Avatar (James Cameron, 2009)
Birth (Jonathan Glazer, 2004)
The Bourne Ultimatum (Paul Greengrass, 2007)
Bowling for Columbine (Michael Moore, 2002)
Bridge to Terabithia (Gabor Csupo, 2007)
Brokeback Mountain (Ang Lee, 2005)
Broken Flowers (Jim Jarmusch, 2005)
Café Lumière (Kôhî jikô, Hou Hsiao-hsien, 2003)
Capote (Bennett Miller, 2005)

Capturing The Friedmans (Andrew Jarecki 2003)
Children of Men (Alfonso Cuarón, 2006)
Closer (Mike Nichols, 2004)
Cloverfield (Matt Reeves, 2008)
Code Unknown (Code inconnu, Michael Haneke, 2000)
The Counterfeiters (Die Fälscher, Stefan Ruzowitzky, 2007)
The Cremaster Cycle (Matthew Barney 1995-2002)
Crouching Tiger, Hidden Dragon, (Wo hu cang long, Ang Lee, 2000)
Death Proof (Quentin Tarantino, 2007)
The Departed (Martin Scorsese, 2006)
Downfall (Der Untergang, Oliver Hirschbiegel, 2004)
Elephant (Gus Van Sant 2003)
Every Little Step (Adam Del Deo and James D. Stern, 2008)
Far From Heaven (Todd Haynes, 2002)
Flags of our Fathers (Clint Eastwood, 2006)
Forgiveness (Ian Gabriel, 2004)
Genova (Michael Winterbottom, 2008)
Glass: A Portrait of Philip in Twelve Parts (Scott Hicks, 2007)
Gonzo: The Life and Work of Dr. Hunter S. Thompson (Alex Gibney, 2008)
High Fidelity (Stephen Frears, 2000)
The Hours (Stephen Daldry, 2002)
I’m Not There (Todd Haynes, 2007)
The Imaginarium of Doctor Parnassus (Terry Gilliam, 2009)
In My Father’s Den (Brad McGann 2004)
INLAND EMPIRE (David Lynch, 2006)
Inside Man (Spike Lee, 2006)
The Jammed (Dee McLachlan, 2007)
Japanese Story (Sue Brooks, 2003)
Jindabyne (Ray Lawrence, 2006)
The Last King of Scotland (Kevin Macdonald, 2006)
Last Life in the Universe (Ruang rak noi nid mahasan, Pen-Ek Ratanaruang 2003)
Little Miss Sunshine (Jonathan Dayton and Valerie Faris, 2006)
The Lives of Others (Das Leben der Anderen, Florian Henckel von Donnersmarck, 2006)
The Lord of the Rings: The Fellowship of the Ring (Peter Jackson, 2001)
Love Exposure (Ai no mukidashi, Shion Sono, 2008)
Lust, Caution (Se, jie, Ang Lee, 2007)

Match Point (Woody Allen, 2005)
Memento (Christopher Nolan, 2000)
Men’s Group (Michael Joy, 2008)

Monster (Patty Jenkins 2003)
Mystic River (Clint Eastwood, 2003)
Nightwatching (Peter Greenaway, 2007)
Not Quite Hollywood (Mark Hartley, 2008)

OldBoy (Park Chan-wook, 2003)
Once (John Carney, 2006)
Ong-bak (Prachya Pinkaew, 2003)
Pan’s Labyrinth (El laberinto del fauno, Guillermo del Toro, 2006)
The Piano Teacher (La pianiste, Michael Haneke, 2001)
Rachel Getting Married (Jonathan Demme, 2008)
The Rules of Attraction (Roger Avary, 2002)
Samson and Delilah (Warwick Thornton, 2009)
Sideways (Alexander Payne, 2004)
Silmido (Kang Woo-suk 2003)
The Spanish Apartment (L’auberge espagnole, Cédric Klapisch, 2002)
Spider (David Cronenberg, 2002)
Spring, Summer, Autumn, Winter… and Spring (Bom yeoreum gaeul gyeoul geurigo bom, Kim Ki-duk 2003)
Sweeney Todd: The Demon Barber of Fleet Street (Tim Burton, 2007)
Sympathy For Mr. Vengeance (Boksuneun naui geot, Park Chan-wook, 2002)
The Tracker (Rolf de Heer, 2002)
Traffic (Steven Soderbergh, 2000)
Two Lovers (James Gray, 2008)
Up (Pete Docter, 2009)
WALL·E (Andrew Stanton, 2008)

[EDIT 8/1/11 and 2/10/11: Since creating this top twenty and shortlist I have seen several films that in retrospect I would have included. Rather than re-editing the lists and running the risk of endless tweaking, I’ll simply list those new films here:

Enter The Void (Gaspar Noé, 2009)
I Love You Phillip Morris (Glenn Ficarra and John Reque, 2009)
The Secret in Their Eyes (El secreto de sus ojos, Juan José Campanella, 2009)
Son of Babylon (Mohamed Al Daradji, 2009)
Still Walking (Aruitemo aruitemo, Hirokazu Koreeda, 2008)

Enter the Void would have probably made the top twenty.]

© Thomas Caldwell, 2010

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7 Responses to Top Twenty Films of the 2000s

  1. harperlane says:

    Is it wrong that I have never been able to watch Kill Bill 1 or 2 without falling asleep? Should I get tested for narcolepsy?

  2. Benicio says:

    Interesting list. There’s a few there I havent seen and some I should really see again.

    That picture you used from Irréversible brought chills when I saw it. Certainly not a scene I’m ever to forget.

  3. Huw Hallam says:

    Just glanced at your list Thomas and it’s pretty similar to how I feel about the last decade. Give or take. But have you got some serious dislike of Almodóvar going on that I wasn’t aware of??

  4. Harper – Yes, you should definitely get tested! Actually, to be honest, I was a little bit let down by Kill Bill: Vol. 2 but Vol. 1 is just such a visually perfect film. I remember somebody once comparing it to Ed Wood (one of my favourites from the ’90s) saying that they are both love letters to the history of cinema. I like that.

    Benicio – Irréversible is the only film on that list that I possibly won’t ever see again. I think it’s an extraordinary film and brilliantly crafted but it infected my mind for days afterwards and was extremely hard to shake off.

    Huw – Revelation time: I don’t dislike Almodóvar but I’m not that big a fan of his either. I really like all of his films and if I had done a similar list for the ’90s then All About My Mother would have probably qualified but there was nothing of his from the past decade that would warrant making it onto my list.

  5. Fascinating list Thomas, I’d probably have about 4 of your top 20 in my own – Hunger, There Will Be Blood, No Country for Old Men and possibly Punch-Drunk Love too.

    Hero, Russian Ark, and Conversations with Other Women I’ve never seen. (You’ve got me rushing to IMDB with that last one to learn more!) I like nearly all the others you’ve chosen to some extent, except for one – The Proposition, which I couldn’t stand! (Believe me, I know I’m very much in the minority on that one. I’m willing to concede it might be worth another look again one day too.)

    Really admire the time you’ve put into assembling this list, I just don’t have the stamina for it! Very interesting seeing the other 80 you’ve shortlisted – some intriguing selections there too, including many more I know little about and will try to track down in future. Great to see the Haneke films on there, The Piano Teacher especially is such a great film.

  6. Cheers David!

    I saw Conversations with Other Women when I was living in Paris as it got a general release in France but didn’t seem to get much attention anywhere else. Not only does it use split-screen very inventively but it is simply a really powerful and emotionally truthful depiction of a love affair. I’ve always been really taken aback by how it pretty much flew under the radar unnoticed everywhere else. I must watch it again some day just to make sure it really is as good as I thought it was at the time. In the meantime, I do wonder just how many gems from around the world we miss out on simply because they don’t get the exposure that they deserve.

    Cheers
    Thomas

  7. Paul Martin says:

    I haven’t compiled such a list and I’m in no hurry to do so but I’ve got to say that your taste is perhaps closer to my own than anyone else’s I’ve seen. Of your top 20, I’ve seen all but Conversations With Other Women. Of the others, there’s nothing I didn’t like, though some (like Balibo and Hero) didn’t do much for me. Other than those and perhaps a couple more, I could happily watch the others over and over again.