Film review – Coco avant Chanel (2009)

Gabrielle 'Coco' Chanel (Audrey Tautou)

Gabrielle 'Coco' Chanel (Audrey Tautou)

Director Anne Fontaine has said of the iconic French fashion designer Gabrielle ‘Coco’ Chanel, “It was not so much the fashion as the characteristics of this exceptional woman that interested me.” Hence Coco avant Chanel, like its title suggests, is about Coco Chanel’s personal life during her formative years before her clothing designs transformed her into a globally recognised household name. Played by Audrey Tautou, Chanel (or Coco as she is referred to throughout this film) is a cynical, independent and headstrong woman who doesn’t suffer fools. She climbs her way out of poverty and into society through an unconventional affair with Étienne Balsan (Benoît Poelvoorde), an older aristocrat, only to fall in love with Arther ‘Boy’ Capel (Alessandro Nivola), a young English businessman.

In many ways Coco avant Chanel is comparable to the 2007 Édith Piaf biopic La Vie en Rose. Despite being set 30 years apart, both films are crowd-pleasers about iconic French women who went from rags to riches. Both Piaf and Chanel climbed out of poverty and into society, both women were fiercely independent self-made women, and both of them suffered tragic love lives. However, while La Vie en Rose skilfully and engagingly weaved together both the details of Piaf’s personal life and the details of her professional life, Coco avant Chanel predominantly focuses on Coco’s private life. The young woman/older man relationship is refreshingly portrayed as a complex power play, rather than a contrived male fantasy, however the men in Coco’s life do dominate the telling of her story. Coco’s attitudes towards fashion (she disliked the frivolous fashion that was so popular at the time, she integrated men’s fashion into women’s fashion, and she triumphed simplicity and comfort) are touched upon, but her work and the social implications of her designs are of secondary importance.

OCO2766 smallAudrey Tautou is an incredibly photogenic actor and she looks wonderful in the various Chanel outfits that she gets to wear in the film. However, Tautou is a very limited performer and struggles to give depth to the character. Tautou portrays Coco adequately but doesn’t come close to giving her the range that Marion Cotillard gave to Piaf in La Vie en Rose. This criticism can in fact be applied to Coco avant Chanel as a whole.  The detailed production design, the sweeping cinematography and the lush musical score are all impressive and facilitate the story well but there is nothing in Coco avant Chanel that is ever particularly remarkable. Similarly the very straightforward narrative facilitates a basic biopic storyline without any surprises or truly standout moments. Coco avant Chanel is a competent and perfectly functional film but competence and functionality alone do not make for riveting viewing.

© Thomas Caldwell, 2009

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9 Responses to Film review – Coco avant Chanel (2009)

  1. Rochelle says:

    So what I want to know: Are the clothes any good?

  2. Hi Rochelle

    Well, yes. The clothes are stunning and Audrey Tautou does them justice. Then again, you would have to really make an effort to stuff up the costumes in a film about Coco Chanel.

    Thanks for dropping by!

  3. moogirl22 says:

    Oh no. :( This was one of my most anticipated of the year. Mainly because I assumed one of my favourite actresses + one of my role models/idols = AMAZING. Oh well, I’m still seeing it (hopefully) on opening weekend.

  4. It’s still a decent film but it just didn’t contain that wow factor that I was hoping for. Once you seen let me know if you think my criticisms are valid or if you think I am way off.

    On another issue, I do like Audrey Tautou but with the exception of Amelie, The Spanish Apartment and, to a lesser degree, Dirty Pretty Things has she actually done anything else that is all that good?

  5. moogirl22 says:

    I loved her in A Very Long Engagement as well. The only thing I have specifically not liked her in was The Da Vinci Code, but that movie as a whole was crap, as is Ron Howard. I can’t honestly blame her.

  6. I was incredibly disappointed with A Very Long Engagement but perhaps my expectations were unfairly high. I just felt that it fell severely short of all the expectations it created.

    Have you seen He Loves Me… He Loves Me Not? I started watching it on DVD but turned it off after about 20 minutes. I’d be curious to know if it got any better.

  7. moogirl22 says:

    That’s unfortunate. I personally loved it, but I guess that’s just differing tastes for you.

    And I haven’t, actually. My local video store doesn’t have it, and I don’t want to see it badly enough that I’d download it.

  8. He Loves Me… He Loves Me Not? was released in Australian earlier this year by Umbrella Entertainment. Their releases often come way down in price after a while so can often eventually be bought cheaply from discount CD shops and bargain bins in stores like Borders.

    He Loves Me… He Loves Me Not? from Umbrella Entertainment

  9. You summed up Tautou perfectly Thomas – very photogenic but with a very limited range. I think we were all lovestruck by her in Amelie but she’ll never be a great actress.

    I saw He Loves Me…He Loves Me Not on World Movies a while ago and thought it was decent though utterly predictable. She does plays the unhinged, loopy obsessed woman pretty well though!

    I’ve never seen A Very Long Engagement, but Hunting and Gathering is a really decent film too, though a very modest one.