Alex Garland is one of my favourite contemporary writers and directors of science-fiction films, and my admiration for him continues with Annihilation. Atmospheric and with just the right amount of explanation to not remove all mystery, its story of an expedition into the unknown is beautiful, terrifying and uncanny. Released in Australia on Netflix, it is disappointing it can’t be experienced on the big screen.
It’s been a long time since I’ve felt as uncomfortable watching a comedy as I did with The Death of Stalin, where master political satirist Armando Iannucci savagely ridicules the Soviet regime while constantly reminding the audience that it was built on torture, sexual violence and murder. However, this uneasiness is part of its strength and it’s a timely reminder of the dangerousness and destructiveness of men who crave power.