Favourite Films of 2012

Hugo

I had a bit of fun this year keeping count of the number of films I watched and discovered that on average I saw six films per week. A large portion of my viewing was of films that received a theatrical release in Melbourne during 2012 and therefore qualify for the parameters in which I select my favourite films of the year. I saw over half the films that had a general release somewhere in Melbourne and while there are about 30 films that I still would like to catch up with, I feel fairly confident that I saw everything that would qualify for consideration for the list below.

I was tempted to not order or rank my favourites, but I changed my mind after another critic encouraged me to do so by saying that if there is one time during the year to be frivolous it is when compiling such lists. Besides, I’m calling these my favourite films – not making any claims about them being the best – so why not have fun?

Favourite ten films with a theatrical release in Melbourne, Australia in 2012:

1. Hugo (Martin Scorsese, 2011)

Hugo

Hugo is a perfect encapsulation of Scorsese the artist, film historian and pioneer – a technologically advanced 3D spectacle celebrating the craft and imagination of early cinema.’ Full review

 

2. Tinker Tailor Soldier Spy (Tomas Alfredson, 2011)

Tinker Tailor Soldier Spy

‘Everything about this film is economical – dialogue, acting style and visual style – so that from the very opening shot the audience are themselves playing the part of spies, attempting to piece together information and looking for clues.’ Full review

 

3. Weekend (Andrew Haigh, 2011)

Weekend

Weekend is one of the most impressive films ever made about love. Haigh’s confidence and intelligence as a filmmaker, has resulted in a sincere and emotionally engaging film.’ Full review

 

4. Holy Motors (Leos Carax, 2012)

Holy Motors

‘The very existence of a film like Holy Motors is cause for celebration. It demonstrates that playful can be profound, bewildering can be meaningful and randomness can have precision. It undermines so many cinematic conventions and yet is a loving tribute to cinema.’ Full review

 

5. The Deep Blue Sea (Terence Davies, 2011)

The Deep Blue Sea

The Deep Blue Sea best combines Davies’s representation of memory with a traditional narrative structure. The result is his finest film to date.’ Full review

 

6. Once Upon a Time in Anatolia (Bir zamanlar Anadolu’da, Nuri Bilge Ceylan, 2011)

Once Upon a Time in Anatolia

‘An epic meditation on morality, civilisation, masculinity and how every generation suffers the sins of the one before it.’ Full review

 

7. Beasts of the Southern Wild  (Benh Zeitlin, 2012)

(Quvenzhané Wallis), (Gina Montana)

Beasts of the Southern Wild combines big scale ideas about the natural world and how humans relate to it, with a very personal and subjective portrayal of a young girl reconciling what is happening to her father and community.’ Full review

 

8. Lore (Cate Shortland, 2012)

Lore

‘Shortland has done an extraordinary job making such a bleak story into a deeply fulfilling and beautiful film. Lore is an impressionist survival film and an existential war film, and also something truly singular and remarkable.’ Full review

 

9. Killing Them Softly (Andrew Dominik, 2012)

Killing Them Softly

‘Incorporating several stunning stylised moments with a grim, gritty reality, Killing Them Softly is an engrossing vision of hell where status, money and image have become the ultimate goal and human life is just another commodity to be traded.’ Full review

 

10. Frankenweenie (Tim Burton, 2012)

Frankenweenie

‘A tribute to the type of cinema and cinematic techniques that originally inspired Burton, while growing up as something of an outsider in suburban California during the 1960s and 1970s, finding solace in monster movies and animation.’ Full review

Honourable mentions:

11. Searching for Sugar Man (Malik Bendjelloul, 2012)

12. The Master (Paul Thomas Anderson, 2012)

13. Shame (Steve McQueen, 2011)

14. The Sessions (Ben Lewin, 2012)

15. Margaret (Kenneth Lonergan, 2011)

16. The Kid with a Bike (Le gamin au vélo, Jean-Pierre Dardenne and Luc Dardenne, 2011)

17. A Separation (Jodaeiye Nader az Simin, Asghar Farhadi, 2011)

18. The Interrupters (Steve James, 2011)

19. The Grey (Joe Carnahan, 2012)

20. Berberian Sound Studio (Peter Strickland, 2012)

Favourite ten films not given a full theatrical release

This is where the list making becomes extremely personal since it is based on the films I happened to see out of a very large selection of festival and speciality programmed screenings held for the public somewhere in Melbourne in 2012. I am aware that there are several films that would probably have made this list if I had seen them. It is also worth noting that the top five films on this list are either confirmed or more than likely to receive a general release in 2013:

Amour

1. Amour (Michael Haneke, 2012)

2. ParaNorman (Chris Butler and Sam Fell, 2012)

3. Broken (Rufus Norris, 2012)

4. Tabu (Miguel Gomes, 2012)

5. Ernest et Célestine (Stéphane Aubier, Vincent Patar and Benjamin Renner, 2012)

6. Paradise Lost 3: Purgatory (Joe Berlinger and Bruce Sinofsky, 2011)

7. Kauwboy (Boudewijn Koole, 2012)

8. Only the Young (Elizabeth Mims and Jason Tippet, 2011)

9. Keyhole (Guy Maddin, 2011)

10. The Legend of Kaspar Hauser (La leggenda di Kaspar Hauser, Davide Manuli, 2012)

Special mention:

It’s Such a Beautiful Day (Don Hertzfeldt, 2012) – feature length edit of Hertzfeldt’s previous three short films, released on DVD through bitter films.

It's Such a Beautiful Day

 

Favourite retrospective screenings and re-releases

The most personal list of all is this one, where I acknowledge the screenings of older films that brought me the most joy this year. Some of these were revisits of old favourites, seeing them on the big screen for the first time, while many were new discoveries:

Raiders of the Lost Arc 

1. Raiders of the Lost Ark (Steven Spielberg, 1981) – re-released at The Astor Theatre

2. America America (Elia Kazan, 1963) – The Melbourne Cinémathèque, Elia Kazan: The Outsider season

3. Time Regained (Le temps retrouvé, Raúl Ruiz, 1999) – The Melbourne Cinémathèque, Immortal Stories: The Living Cinema Of Raúl Ruiz season

4. Great Expectations (David Lean, 1946) – The Astor Theatre, David Lean Tribute

5. Solaris (Solyaris, Andrei Tarkovsky, 1972) – The Australian Centre for the Moving Image, (ACMI) Space on Film program

6. Suddenly, Last Summer (Joseph L. Mankiewicz, 1959) – ACMI First Look

7. Paradise Lost: The Child Murders at Robin Hood Hills (Joe Berlinger and Bruce Sinofsky, 1996) – ACMI First Look

8. Brand Upon the Brain! (Guy Maddin, 2006) – ACMI, Nocturnal Transmissions: The Cinema of Guy Maddin program

9. Beau Travail (Claire Denis, 1999) – The Melbourne Cinémathèque, Borderlines: Selected Works by Claire Denis season

10. House (Hausu, Nobuhiko Ohbayashi, 1977) – ACMI, Nocturnal Transmissions: The Cinema of Guy Maddin program

Special mentions:

Seeing Goblin play their score to Suspiria (Dario Argento, 1977) live at ACMI as part of Melbourne Music Week was also pretty special. Finally, it would be remiss of me not to mention the re-release of Labyrinth (Jim Henson, 1986) at the Astor Theatre, especially as it was also the film that the theatre screened on its Protect the Astor day, which was part of a larger campaign that achieved considerable success in 2012.

Labyrinth

Thomas Caldwell, 2012

This list was originally compiled for the Senses of Cinema 2012 World Poll

PS Feel free to comment and add your thoughts and comparisons. Please note that the spirit of this post is celebratory so long rants about stuff you didn’t like or grand declarations of outrage probably won’t make it through the moderation process!

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4 Responses to Favourite Films of 2012

  1. Tom Norris says:

    Thomas–

    My movie-going was way down this year unfortunately. I did see Hugo and concur: it was a film that I just loved and saw twice…in 3D, a technology which Scorsese thoroughly mastered. The two juvenile leads were wonderful. I also saw The Kid with a Bike and found it realistic and moving with a stunning performance by the young lead actor.

    The reason I like your list is because it reminds me of films that I should see, like Weekend, which had a very limited run where I live.

    Looking forward to a new year of your thoughtful film reviews.

    Tom N.

  2. Kay Hart says:

    Glad to see Hugo a #1 favourite. I loved it too. Also Once Upon a Time in Anatolia – can’t forget the opening scenes as shadowy mountains and trees were picked out by the headlights of the cars. I am impressed by your number of films viewed. Kay

  3. @Tom – Cheers Tom. And thank you for all your thoughtful and informative comments this year. I always enjoy hearing from you and appreciate you input to the discussion.

    @Kay – Cheers to you too Kay and it’s always a pleasure to hear from you as well. As you can imagine, a lot of my film viewing comes with the job!

  4. Alex Thomas says:

    Weekend, The Deep Blue Sea, Lore + Once Upon a Time in Anatolia are big gaps I’ve missed this year. Will have to check them out based on your Top 10!

    Great list from those I’ve seen Thomas, I gave Killing Them Softly a 2nd watch recently and liked it a little more the 2nd time around.