Films I loved in December 2017

23 December 2017

Armie Hammer as Oliver in Call Me by Your Name

The mix of young love, lust, and summer in Northern Italy in Call Me by Your Name has allowed director Luca Guadagnino to deliver a film of immense beauty and emotional resonance. The film’s slow burn pace allows a wonderful build of tension and desire, to underpin the romance between 17-year-old Elio and his father’s student Oliver, both played to perfection respectively by Timothée Chalamet and Armie Hammer.

The Florida Project

Christopher Rivera as Scooty and Brooklynn Prince as Moonee in The Florida Project

The Florida Project continues filmmaker Sean Baker’s spotlight on marginalised and invisible people living in the USA. Set in a low-budget motel, within walking distance of the Walt Disney World Resort in Florida, it follows the lives of mother and daughter Halley (Bria Vinaite) and Moonee (Brooklynn Prince) whose defiant struggle to get through every day is both gleefully audacious and heartbreaking.

Paddington 2

Paddington (voiced by Ben Whishaw) in Paddington 2

Paddington 2 maintains the original film’s blend of good natured humour and warm hearted message of acceptance and diversity, without losing any of the charm or stylistic inventiveness that defined the original film. While 2017 has seen the release of many films that capture the current grim mood of the times, the release of this child-friendly crime-caper/prison film right at the end of the year is a much needed tonic.

In Between

Sana Jammelieh as Salma, Shaden Kanboura as Noor and Mouna Hawa as Leila in In Between

In Between begins as an enjoyably light drama about three Palestinian women living in Tel Aviv, and then transitions into a more serious film to explore issues of religion, gender and sexuality. The joy of the film is the solidarity the women share with each other despite their differences, while the tragedy of the film are the ways patriarchal oppression under the guise of religion and tradition continues to assault them.


Suzu (voiced by Rena Nounen) in In This Corner of the World

In This Corner of the World begins as a domestic drama about a young woman in 1930s Japan entering into an arranged marriage, and then gradually becomes a powerful drama about living during wartime. The animation is impressive, especially when it incorporates the main character’s own artwork, and the restraint used to depict the horrors of war and losing loved ones is quietly powerful.


Lene Cecilia Sparrok as Elle-Marja in Sami Blood

Not knowing anything about the Scandinavian indigenous Sami people, most of what occurs in Sami Blood was new to me. However, it was also depressingly familiar as through the experiences of a 14-year-old Sami girl in 1930s Sweden, the films reveals how yet another indigenous group was expected to assimilate while also being made to feel inferior. This is an excellent drama and a bold new development in Swedish cinema.


Tanea Heke as Charm in Waru

The New Zealand film Waru comprises eight short films that all take place simultaneously during the funeral of a young boy who has died as the result of neglect and abuse. All eight films are single takes, all are directed by Māori women and all feature a different Māori woman who is directly or indirectly affected by the death. This is powerful and urgent storytelling.

Jim & Andy

Jim Carrey in Jim & Andy: The Great Beyond

And finally, I caught up with Jim & Andy: The Great Beyond on Netflix, a documentary combining an interview with Jim Carrey along with previously unseen footage of the making of the 1999 Andy Kaufman biopic Man on the Moon. The result is a compelling portrait of both Carrey and Kaufman, and also a fascinating study of the artistic process that is at times hilarious, unsettling, disturbing and surprisingly moving.

Thomas Caldwell, 2017



Films I loved in December 2014

23 December 2014
Baymax (voiced by Scott Adsit) and Hiro (voiced by Ryan Potter) in Big Hero 6

Baymax (voiced by Scott Adsit) and Hiro (voiced by Ryan Potter) in Big Hero 6

Walt Disney Animation Studios have been doing some extremely impressive work over the past few years with Big Hero 6 being my favourite film of theirs in recent times. The animation looks great, it contains a refreshingly diverse cast of characters and it contains just the right mix of pathos, humour and excitement. It doesn’t contain any naturally gifted or Chosen One characters, as instead the young heroes are all intelligent and studious who use science to solve problems. It also warns against the destructiveness of pursuing vengeance rather than justice with its story of a 14-year-old boy who enlists the help of a healthcare robot to uncover the truth behind a personal tragedy. While attempting to teach the robot humanity, the boy himself learns what it means to be human, and along with the villain effectively being a shape-changing robot, this makes Big Hero 6 a family-friendly variation of Terminator 2: Judgment Day.

Sally Hawkins as Mrs Brown and Paddington (voiced by Ben Whishaw) in Paddington

Sally Hawkins as Mrs Brown and Paddington (voiced by Ben Whishaw) in Paddington

The other terrific family film for this month is Paddington, which is filled with charm, and child-friendly sight gags and word play. It’s a gorgeously designed film that blends together director Paul King’s comedic avant-garde style with some pleasing nods to Wes Anderson and Jacques Tati. Best of all, the tale of a marmalade-loving bear who has lost his home in darkest Peru and seeks somewhere new to live in London, very successfully conveys timely messages about the harm of racism, the inhumanity of turning away those who seek help and the true meaning of family – all just in time for Christmas!

Sheila Vand as The Girl in A Girl Walks Home Alone at Night

Sheila Vand as The Girl in A Girl Walks Home Alone at Night

Combining the hip spirit of 1960s Iranian New Wave cinema as well as the equally hip spirit of 1990s American independent cinema (in particular channelling the likes of Jim Jarmusch and Hal Hartley), Ana Lily Amirpour’s A Girl Walks Home Alone at Night is an ultra cool vampire film, which for good measure is also inspired by spaghetti westerns. If nothing else it is remarkable that a film that is bursting with so many references to so many other films should come across as having such a distinctive voice of its own, but it does and that voice is subversive, smart and stylish, announcing Amirpour as an exciting new talent to have emerged this year.

Robin Wright as Robin Wright in The Congress.

Robin Wright as Robin Wright in The Congress.

It’s been over a year since I’ve seen Ari Folman’s The Congress and while I’m not sure what I may make of it watching it now, I thought it still worth mentioning since it’s a film that has stayed with me. Blending live action and animation, it stars Robin Wright playing a version of herself who sells her digital-self to a Hollywood studio and then later enters an animated dream-world. It’s a perplexing and disorientating film that touches on ideas concerning memory, identity, reality and authenticity. The early-20th century-style animation used throughout the middle section of the film is realised on a grand and spectacular scale, and the overall strange and melancholic tone of the film is haunting. The Congress is admittedly a mess of a film, but it’s a glorious mess.

Thomas Caldwell, 2014