Beard, William, The Artist as Monster: The Cinema of David Cronenberg, University of Toronto Press, Toronto, 2001
William Beard’s extensive critical analysis of the cinema of David Cronenberg considers Cronenberg as a filmmaker with a strong authorial voice whose films make up a powerful body of work containing very specific re-occurring themes, attitudes and style. From Videodrome (1983) onwards Beard identifies the main theme of Cronenberg’s films as an existential-romantic ideal of “a pathfinding, transgressive [male artist/creator] figure delving into hidden or repressed realms where others do not wish to go”. (257)
Advertisements
Posted by Thomas Caldwell 
