Xavier Legrand follows up his masterful 2013 short film Just Before Losing Everything with Custody, continuing the story of a woman and her children escaping from her abusive husband. Slowly revealing the ways the abuser continues to intimidate his family, the film is a deeply emotional social realist drama with an almost unbearable build-up of tension. Custody is a call to arms about the insidious ways violent and entitled men manipulate others, while also functioning as an expertly crafted thriller.
The biopic Don’t Worry, He Won’t Get Far on Foot is one of the more conventional films by the eclectic and unpredictable filmmaker Gus Van Sant, but it’s also his best film in the past decade. An insightful and often darkly humorous drama about addiction and recovery, its biggest triumph are the performances from supporting actors such as Jonah Hill and Jack Black, as well as Joaquin Phoenix in the lead role as cartoonist John Callahan.
Joaquin Phoenix is also the protagonist in the dreamlike and deeply subjective You Were Never Really Here where he plays Joe, a vigilante for hire with a traumatic past who is on a mission to save a young girl. The combination of filmmaker Lynne Ramsay’s stylised direction, which is used to convey Joe’s inner turmoil, combined with Phoenix’s intense performance, heightens the film’s brutal foundations into a powerful sensory and visceral cinematic experience.
Ghosthunter begins as a documentary about a man investigating the paranormal, but quickly evolves into something quite different as he starts to undercover and confront personal demons from his childhood. This is a complex, troubling and powerful film that delves into issues surrounding trauma, abuse and repressed memories. Among the unearthed horrors of the past, there is some humanity and hope for the future, but not without complications, which makes the film all the more richer and challenging.
Starring and written by the always likeable Damian Callinan, The Merger is about a small-town outcast who tries to save the local football club by enlisting the help of the town’s new refugee population. It’s not exactly subtle in its messaging of community and acceptance, but it doesn’t matter when it’s this heartfelt, not to mention timely. This crowd-pleasing and feel-good Australian comedy also contains some great commentary on sport, mateship and masculinity. And most importantly, it’s very funny.
A troubled young woman living in an oppressive small community has her lust for life awakened when she falls for a mysterious man who may or may not be a serial killer. While not shying away from the thriller aspects inherent in such a scenario, Beast is more a slow burn psychological drama with a focus on atmosphere that allows the film to beautifully transition back and forth between being sensual and sinister as it depicts the excitement and danger of awakening primal desires.
Like I suspect many Australians, I’d never heard of the legendary US children’s television host Fred Rogers, but that didn’t stop me from being deeply moved by the documentary Won’t You Be My Neighbor? Exploring Rogers’s life, career and more importantly, his philosophy of love and compassion, this film transcends the limitations of most biographical documentaries to present an urgent and compelling message of the power of respect, understanding and kindness for all children and all adults.
Based on a true story and starring non-professional actors, The Rider is a gentle and mesmerising film set in the American midwest about an upcoming rodeo star adjusting to life after having suffered a serious injury. It presents a perspective of masculinity and rural life that is affectionate and understanding, but not without subtle critical commentary. Sadly not getting a full theatrical release in Australia, The Rider is well worth tracking down through an HD video-on-demand service.