Damon Gameau as Greg Shackleton in Balibo
The nominations for the 2009 Samsung Mobile AFI Awards have come out and in a year that has been very strong for Australian cinema the nominations have nicely captured the diversity of Australian films that were eligible. This was the first year that I voted in the individual categories as a professional member of the Australian Film Institute and while the nominations don’t 100% reflect how I voted, I would have never expected them to and I’m overall pleased with the outcomes.
Among the feature film nominees I’m particularly happy to see Balibo, Samson and Delilah and Mary and Max – the three films that I regard as easily the best Australian films of 2009 – to be nominated for both the AFI Members’ Choice Award and the Samsung Mobile AFI Awards for Best Film. I’m less enthusiastic, but not surprised, about Beautiful Kate and particularly Mao’s Last Dancer also getting nominations in both these categories but I certainly don’t begrudge the fact that are included. Having said that, I would up upset if Mao’s Last Dancer won anything over the far superior films that it is up against.
Trisha (Anastasia Baboussouras) and Katrina (Sophie Lowe) in Blessed
The interesting point of difference between the two best film categories is that Australia got the sixth nomination for the AFI Members’ Choice Award while Blessed received the sixth nomination for the Samsung Mobile AFI Awards for Best Film. Both films are flawed but nevertheless contain elements of considerable merit. They also curiously represent the growing divide between the different types of films that various commentators argue we should be making more of or less of depending on where these commentators stand on the whole art versus commerce debate.
There were a number of films not represented in the nominations that I would have liked to see included but in the majority of cases their absence is understandable. I only saw Newcastle recently and was completely bowled over but its energetic depiction of youth surf culture, however I am aware that I am somewhat on my own with just how highly I regard Newcastle. Lake Mungo, Van Diemen’s Land and $9.99 are other films that I wish had picked up at least a couple of nominations each but they are all niche films and their absence is hardly surprising.
David Lurie (John Malkovich) and Lucy (Jessica Haines) in Disgrace
The real shock this year is the complete lack of nominations for Disgrace. While it is a film I had issues with (although I am increasingly realising that was exactly the point) I am still very surprised not to see it represented at all. It is an acclaimed film, technically very impressive, it contains strong performances and it is adapted from a well-renowned novel. So what went wrong? Perhaps it was too challenging and confronting. This is an unlikely explanation considering the number of nominations for other ‘challenging and confronting’ films such as Balibo, Samson and Delilah, Mary and Max, Blessed and Beautiful Kate. Maybe Disgrace wasn’t considered Australian enough (which is reasonable) and didn’t attract votes as a result (which is not so reasonable). Again, if that was the case then how do we explain the large number of nominations for Mao’s Last Dancer? I honestly have no brilliant explanation but the complete exclusion of Disgrace is the only significant sour note in the nominations this year.
Hopefully I’ll get the chance to discuss each category in more detail closer to the 2009 Samsung Mobile AFI Awards Ceremony on Saturday 12 December and I’ll also then mention the mostly brilliant feature length documentaries, short fiction films and animated shorts that have been nominated this year.
In the meantime, below is a personally ranked list of all the feature films that were eligible for nomination:
✭✭✭✭✭
Balibo (Robert Connolly, 2009) 14 nominations
✭✭✭✭✩
Samson and Delilah (Warwick Thornton, 2009) 11 nominations
✭✭✭✭
Mary and Max (Adam Elliot, 2009) 4 nominations
✭✭✭✩
Disgrace (Steve Jacobs, 2008)
Newcastle (Dan Castle, 2008)
Lake Mungo (Joel Anderson, 2008)
Van Diemen’s Land (Jonathan auf der Heide, 2009)
$9.99 (Tatia Rosenthal, 2008)
Cedar Boys (Serhat Caradee, 2009) 1 nomination
The View from Greenhaven (Kenn MacRae and Simon MacRae, 2008)
✭✭✭
Blessed (Ana Kokkinos, 2009) 4 nominations
My Year Without Sex (Sarah Watt, 2009) 2 nominations
The Combination (David Field, 2009)
Beautiful Kate (Rachel Ward, 2009) 10 nominations
Australia (Baz Luhrmann, 2008) 6 nominations
Dying Breed (Jody Dwyer, 2008)
✭✭✩
Last Ride (Glendyn Ivin, 2009) 2 nominations
Charlie & Boots (Dean Murphy, 2009)
Two Fists, One Heart (Shawn Seet, 2008)
Mao’s Last Dancer (Bruce Beresford, 2009) 9 nominations
Stone Bros. (Richard Frankland, 2009)
✭✭
Lucky Country (Kriv Stenders, 2009) 1 nomination
Closed for Winter (James Bogle, 2009)
✭✩
Under a Red Moon (Leigh Sheehan, 2008)
✭
Beautiful (Dean O’Flaherty, 2009)
✩
Sweet Marshall (Eva Acharya, 2009)
© Thomas Caldwell, 2009
Posted by Thomas Caldwell 
I first read Kenneth Cook’s 1961 novel Wake in Fright in 1990. It was a set text for my English class and not something that I would have chosen to read. At the time, I was still coming down from a period spent adoring the images of Australia that had filled my head since seeing Crocodile Dundee four years earlier and from the 1988 celebrations of 200 years of permanent white settlement in Australia. As a child I wanted to grow up to be a movie star. Later, after I first saw Oliver! I wanted to be a pickpocket and after seeing Raiders of the Lost Arc I naturally wanted to be an archaeologist – or Harrison Ford. However one of the biggest impressions left on me when I was younger was Paul Hogan playing Mick Dundee, the distinctively Aussie bushman in Crocodile Dundee.
