I tend to like and admire Wes Anderson’s films from a distance, but the ones I really like, I adore: The Royal Tenenbaums, The Grand Budapest Hotel and now Isle of Dogs, his glorious tribute to canines and Japanese cinema. This stop-motion animation tonally straddles droll humour, absurdism and emotional sincerity within its inventive dystopian world and enjoyably chaotic plot.
There is something gloriously old-fashioned about A Quiet Place, which quickly and efficiently establishes its innovative premise and small group of characters, to then deliver a finely crafted horror film that is both terrifying and moving. The characters are a family that the audience are able to quickly care about, the high stakes are always present and the scenario where sound is deadly, is used to its full potential.
I was expecting to like Avengers: Infinity War as directors Anthony and Joe Russo delivered two of the best previous films in the Marvel Cinematic Universe franchise, but I was not anticipating just how strong the storytelling and spectacle would be. The action sequences are exhilarating and inventive, the dramatic stakes are high and the huge cast of characters are expertly handled. This is my favourite film in the series to-date.
The documentary Gurrumul provides a portrait of recently deceased Indigenous Australian musician Geoffrey Gurrumul Yunupingu. It embraces his spirit, humour and of course, extraordinary talent. It is a moving, revealing and reverential film that serves to chart his career and highlight his cultural significance to his own community and the rest of Australia.
Loveless is explicitly about a missing child, but it is implicitly about a generation destroying itself and the one after it through bitterness, apathy, self-absorption and a complete lack of empathy. As with his previous films, Andrey Zvyagintsev creates a compelling yet ambiguous drama through his use of visual metaphor, elegant camera movements and beautiful composition.
Inspired by real events in Zambia, I Am Not a Witch is a startling film about a young girl accused of being a witch. The film’s general strangeness, deadpan humour and dreamlike tone capture the bewildering events that follow as she goes to live in a witch camp. While on the surface the film overtly highlights the shocking harm of witchcraft accusations, it’s also more broadly about the creation and exploitation of an underclass.
Richard Linklater’s Last Flag Flying, an unofficial sequel to Hal Ashby’s 1973 film The Last Detail, is similarly a buddy road movie that blends humour, pathos and subversive cynicism about the damage done to men who become soldiers. While not entirely without hope, the prevailing melancholy stems from how a group of veterans broken by one war confronts a new generation of men being broken by another.
Thomas Caldwell, 2018