My piece on how the new federal budget may affect the Australian film industry appeared in the arts opinion column Canvas in The Age and The
Film review – Insidious (2010)
The opening titles to the new film by the Saw franchise creators (director James Wan and writer Leigh Whannell) suggests that we are about to
Film review – Water for Elephants (2011)
It’s America in 1931 and the realities of the Great Depression followed by the death of his parents leads Jacob Jankowski (Robert Pattinson) to seek refuge
Film review – Mad Bastards (2010)
TJ (Dean Daley-Jones) is a mad bastard. Full of attitude and prone to aggressive outbursts, TJ travels over 2000 kilometres to see Bullet (Lucas Yeeda), his
Film review – Source Code (2011)
Free will, alternate realities, memory, identity, the struggle between the needs of the individual versus the needs of the whole and the implications of trying
Lights, Camera, Action
Sex in cinema should no longer be controversial. But after all those years, and all those clinches, it seems moral guardians are still getting hot
CINEMA AUTOPSY 