Plausibility is the greatest enemy of the action film. Action films either desperately try to create a sense of logic behind each action sequence (usually
Shadow Of A Twisted Hand Across My House
Representations of abusive men and domestic violence in David Lynch’s Blue Velvet and Twin Peaks A thesis presented by THOMAS CALDWELL to The School of
Lost in Darkness and Confusion: Lost Highway, Lacan, and film noir
Fred Madison (Bill Pullman) in David Lynch’s Lost Highway (1997) is suffering from a crisis of personal identity. Fred is a typical film noir hero, inhabiting
