Cargo is a refreshing, unexpected and innovative zombie-apocalypse film that successful adheres to the expectations that make this genre so popular, by combining genuine horror thrills with heartfelt human drama and a potent political subtext. Most excitingly is how distinctively Australian it is, and the fact that Indigenous Australian culture is incorporated as such a crucial part of the film’s fabric is something of a triumph.
I’ve been looking forward to I Kill Giants for a while now, having loved the graphic novel source material, and I’m extremely impressed with how well this young adult story of fantasy and grief has been adapted for film. While comparisons to A Monster Calls (which I also loved) are inevitable and reasonable, this still very much holds its own as an imaginative and moving depiction of teenage trauma and resilience.
Another graphic novel adaptation, My Friend Dahmer is about American serial killer Jeffrey Dahmer’s teenage years, as recalled by his school friend and cartoonist John ‘Derf’ Backderf. Tantalisingly ambiguous about what influenced Dahmer and what pathologies were already there, the film generates dread, contempt but also empathy for its banal protagonist who would go on to commit unspeakable acts of real-life horror.
BPM (Beats Per Minute) is a compelling dramatisation of some of the activism carried out by the Paris chapter of HIV/AIDS advocacy group ACT UP in the early 1990s. Initially focusing on the complex group dynamics of the organisation and their public protests, it moves into a powerful character drama focusing on two of the group’s members. The result is an energetic and moving film about the personal and the political.
While I mostly enjoyed the original Deadpool from 2016, I really enjoyed Deadpool 2 with its entertaining blend of ultra-violent spectacle driven action and highly self-referential pop culture satire. Oscillating between a sort-of sincere superhero narrative and anarchic breaking-the-fourth wall parody, it feels less self-consciously trying to shock and more at ease with simply delivering big laughs and gloriously crafted carnage.
I’m quickly discovering I’m preferring the stand-alone Star Wars films over the new chapters; hence, I really liked Solo: A Star Wars Story. It’s a heist film with a science-fiction facade combined with a dash of allusions to World War I films and nods to Sergio Leone’s spaghetti westerns. As much as I admire how some of the other films have expanded the scope of the franchise, I really enjoyed this return to basics.
Thomas Caldwell, 2018