Film review – Cave of Forgotten Dreams (2010)

7 October 2011

Cave of Forgotten DreamsThe Chauvet Cave in southern France is a site of extraordinary natural and cultural value, holding fossilised remains of long extinct animals and 32,000-years-old cave paintings, which are the oldest known examples of primitive art. Because of the fragile environment that must be maintained, very few people are allowed to enter. This nature and art documentary by Werner Herzog delivers an astonishingly privileged look at this subterranean time capsule.

Herzog includes background information on how the cave was discovered, interviews people researching the cave and includes details about the logistics of filming in such a restrictive environment, complete with Herzog’s idiosyncratic narration. But the real joy of the film is the footage of the cave art with various experts discussing the importance and meaning of the works. Most spectacularly, Herzog uses 3D cinematography to deliver a truly immersive experience and to capture how the early artists utilised the natural curves of the cave walls to create perspective. Perhaps most mysterious is how the paintings convey movement, using basic techniques that resonate centuries later with cinema audiences.

Originally appeared in The Big Issue, No. 390, 2011

Thomas Caldwell, 2011

Bookmark and Share


Film reviews – Nobody’s Perfect (2008) & See What I’m Saying (2010)

21 August 2010

The 2010 Other Film Festival, screening in Melbourne from Wednesday 25 to Sunday 29 August at Melbourne Museum, is a festival focusing on people with disabilities. I’ve been fortunate to preview two excellent documentaries that are highly recommended:

Nobody’s Perfect

Nobody's Perfect: Kim Morton

Kim Morton

German filmmaker Niko von Glasow was born with malformed arms due to the side effects of thalidomide, a sedative prescribed to pregnant women in the late 1950s. Von Glasow’s film documents the process of putting together a nude photo shoot for himself and eleven other thalidomide affected people, many of who talk about their negative experiences being starred at. By taking part in the professionally produced and exhibited photo shoot, these people not only familiarises the onlooker with their condition but they also empowering themselves by setting the agenda under which they are looked at.

Von Glasow delves into the lives and motivations behind the various participants and uncovers various feelings of frustration, bitterness and anger. However, what makes Nobody’s Perfect such a strong film is the tremendous energy and humour that dominates. Von Glasow encourages everybody to be extremely frank about issues such as insecurity, guilt, depression and self-doubt, and he is certainly extremely frank himself. The results are frequently very wicked observations and self-deprecating humour. Nobody’s Perfect is a film that succeeds on many levels as while it is partially an awareness-raising film it is also tremendously fun and that’s mainly due to the eclectic bunch of people who reveal themselves physically and emotionally.

Read more reviews at MRQE


See What I’m Saying

See What I'm Saying: CJ Jones, Robert DeMayo, TL Forsberg and Bob Hiltermann

CJ Jones, Robert DeMayo, TL Forsberg and Bob Hiltermann

Hilari Scarl’s documentary follows four hearing impaired performers. There’s the popular deaf comic CJ Jones who wants mainstream recognition, struggling actor Robert DeMayo and Bob Hiltermann, the drummer in the deaf rock band Beethoven’s Nightmare. The most interesting story is that of TL Forsberg, a goth rock singer/songwriter whose relatively high level of hearing means that she struggles for acceptance within some aspects of the deaf community.

It is always fascinating having an insight into what makes people with an urge to perform tick, especially when you get to see how they juggle their artistic temperaments with the realities of everyday life. You certainly get a strong sense of this dynamic in See What I’m Saying across the four stories but you also get the added element of seeing the particular challenges that is faced by hearing impaired people. Scarl’s film also provides a wonderful insight into deaf culture so that See What I’m Saying is very much an inspirational and celebratory film. Jones, DeMayo, Hiltermann and Forsberg are all tremendously charismatic and talented performers, and you really get a sense of both their disappointments but also their triumphs.

Read more reviews at MRQE

Nobody’s Perfect screens at the Other Film Festival on Saturday 28 August 2010 and See What I’m Saying screens the day before on Friday 27 August 2010.

As for other films screening at the festival, Josh Nelson from Philmology has recommended The Sunshine Boy and Rita to me and Tara Judah’s preview of the festival at Liminal Vision also contains several great recommendations.

© Thomas Caldwell, 2010

Bookmark and Share


Film review – Soul Kitchen (2009)

15 May 2010
Soul Kitchen: Zinos Kazantsakis (Adam Bousdoukos) and Illias Kazantsakis (Moritz Bleibtreu)

Zinos Kazantsakis (Adam Bousdoukos) and Illias Kazantsakis (Moritz Bleibtreu)

In Soul Kitchen the acclaimed Turkish-German filmmaker Fatih Akin once again explores Germany’s multicultural society but this time with comedy and light drama rather than the more heavy approach Akin is better known for in films such as The Edge of Heaven and Head-On. The action is centred in a modest restaurant located in an old industrial area of Hamburg that is becoming increasingly fashionable. The restaurant is owned by Greek-German Zinos Kazantsakis who transforms it into the hip place to be. To do this he is helped by a volatile gourmet chef and his brother who is on special leave from his prison sentence.

The grungy realism at the core of the film is compromised when the film indulges in tired clichés such as “it all comes together” montages, contrived plot developments and the inclusion of a conniving property developer as a stereotypical villain (although it is amusing to note that even Germans cast Aryan-looking blond Germans as their villains). Soul Kitchen is mostly a comedy/drama but at times suddenly lurches into slapstick, moments of really broad comedy (a scene where everybody at a party eats a powerful aphrodisiac is particularly painful) and other moments where the humour is just cruel. None of these styles of comedy are bad in their own right and many of them can be successfully integrated but in Soul Kitchen there are just too many gags that uncomfortably feel out of character with the rest of the film.

Soul Kitchen: Shayn Weiss (Birol Ünel)

Shayn Weiss (Birol Ünel)

All these faults are a shame because there is also a lot to like about Soul Kitchen. Akin really does create a wonderful sense of place with the scenes set within Zinos’s restaurant and its industrial surroundings. The soundtrack is absolutely fantastic and often lifts otherwise unremarkable scenes into moments of real joy. As Zinos Adam Bousdoukos (who also appeared in Head-On) is tremendously likeable and Birol Ünel (also from Head-On) as the volatile and proud chef Shayn Weiss is a lot of fun too, although underused, and as Illias, Zinos’s difficult brother, Moritz Bleibtreu (The Baader Meinhof Complex, Das Experiment, Run Lola Run) once again demonstrates why he is one of Germany’s most popular actors. Soul Kitchen may ultimately be a little unfulfilling, inconsistent and predictable but the moments and aspects that do work overall make it a film worth experiencing.

© Thomas Caldwell, 2010

Bookmark and Share

Read more reviews at MRQE


Film review – The Baader Meinhof Complex (2008)

7 May 2009
Ulrike Meinhof (Martina Gedeck)

Ulrike Meinhof (Martina Gedeck)

Nobody could accuse contemporary German cinema of shying away from the past. Films like The Downfall, The Lives of Others and now The Baader Meinhof Complex have all explored very dark chapters of the country’s history, ensuring that the events depicted will be preserved as a constant reminder for future generations. In the case of The Baader Meinhof Complex, directed by Uli Edel (Christiane F., Last Exit To Brooklyn), it is the creation and the terrorist actions of the radical and militant leftist group the Red Army Faction (RAF) from 1967-1977 that is under scrutiny. The RAF had its foundations in the anti-authoritarian and anti-capitalist student movements that were happening worldwide in the late 1960s and The Baader Meinhof Complex carefully reveals the conditions under which that rebellious sentiment led to violent action. The young generation of educated Germans knew all too well what could happen if state fascists tendencies were left unchecked and police brutality, an increase of rightwing journalism and rightwing violence against student protesters were all ingredients in turning their outrage into extremism.

Read the rest of this entry »


Notes on film: The Blue Angel

8 October 2008

“A little flirting is alright but always remember she’s a predator.”

The Blue Angel (Der Blaue Engel) is one of Germany’s most significant films. It is reportedly the first German sound film and when it was made the filmmakers simultaneously made a (superior) German language version and an English language version. It was made towards the end of the Weimar Republic period (1919-1933) and contains many of the characteristics of German Expressionism, a style that dominated the era, in particular the fantasy, horror and science fiction films. But most significantly, The Blue Angel was the first film that director Josef von Sternberg worked on with Marlene Dietrich. Their pairing is still regarded as one of the all time great director/actor collaborations in film history. Together they created Dietrich’s unique star persona, a mixture of masculinity and femininity, sensuality and stylised camp.

Read the rest of this entry »


Follow

Get every new post delivered to your Inbox.

Join 2,241 other followers