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	<title>Comments on: Cinema Autopsy on the 2009 Samsung Mobile AFI Awards Winners</title>
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	<link>http://blog.cinemaautopsy.com/2009/12/13/cinema-autopsy-on-the-2009-samsung-mobile-afi-awards-winners/</link>
	<description>Film reviews, criticism and discussion by Thomas Caldwell</description>
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		<title>By: Paul Martin</title>
		<link>http://blog.cinemaautopsy.com/2009/12/13/cinema-autopsy-on-the-2009-samsung-mobile-afi-awards-winners/#comment-1107</link>
		<dc:creator><![CDATA[Paul Martin]]></dc:creator>
		<pubDate>Mon, 14 Dec 2009 14:37:58 +0000</pubDate>
		<guid isPermaLink="false">http://blog.cinemaautopsy.com/?p=3311#comment-1107</guid>
		<description><![CDATA[I couldn&#039;t help but notice that both Baz Luhrmann and Anthony LaPaglia spoke publicly in awe of &lt;em&gt;Samson and Delilah&lt;/em&gt; (which was my vote by a country mile) before it won the major awards. For me, &lt;em&gt;Balibo&lt;/em&gt; doesn&#039;t even come close.  My second choice was &lt;em&gt;Mao&#039;s Last Dancer&lt;/em&gt;.

As for Ben Mendelsohn and Anthony LaPaglia, I thought both their performances were dismal.  The standout for me was Oscar Isaac for best supporting actor in &lt;em&gt;Balibo&lt;/em&gt;.  He is the best thing about the film.]]></description>
		<content:encoded><![CDATA[<p>I couldn&#8217;t help but notice that both Baz Luhrmann and Anthony LaPaglia spoke publicly in awe of <em>Samson and Delilah</em> (which was my vote by a country mile) before it won the major awards. For me, <em>Balibo</em> doesn&#8217;t even come close.  My second choice was <em>Mao&#8217;s Last Dancer</em>.</p>
<p>As for Ben Mendelsohn and Anthony LaPaglia, I thought both their performances were dismal.  The standout for me was Oscar Isaac for best supporting actor in <em>Balibo</em>.  He is the best thing about the film.</p>
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		<title>By: Thomas Caldwell</title>
		<link>http://blog.cinemaautopsy.com/2009/12/13/cinema-autopsy-on-the-2009-samsung-mobile-afi-awards-winners/#comment-1103</link>
		<dc:creator><![CDATA[Thomas Caldwell]]></dc:creator>
		<pubDate>Sun, 13 Dec 2009 13:43:48 +0000</pubDate>
		<guid isPermaLink="false">http://blog.cinemaautopsy.com/?p=3311#comment-1103</guid>
		<description><![CDATA[I actually don&#039;t feel strongly one way or another about &lt;em&gt;Australia&lt;/em&gt; as I found much to like about it and much that I found to be heavily flawed. My issue with it winning the production design and costume prizes is really to do with my frustration over the way period films usually always win design awards. I would never want to downplay the enormous skill that goes into re-creating a period setting but I find it far more impressive when production design and costumes are used in contemporary settings to express something about the characters. It&#039;s an extra layer of meaning within a film that is often unnoticeable when done well. For that reason I gave my vote to &lt;em&gt;Mary and Max&lt;/em&gt;  for Best Production Design and to &lt;em&gt;Blessed&lt;/em&gt; for Best Costume Design. 

As for &lt;em&gt;The Cat Piano&lt;/em&gt;, I&#039;ve been thrilled to see how popular it has become. It features three of my favourite things - a &lt;em&gt;film noir&lt;/em&gt; influence, cats and Nick Cave!]]></description>
		<content:encoded><![CDATA[<p>I actually don&#8217;t feel strongly one way or another about <em>Australia</em> as I found much to like about it and much that I found to be heavily flawed. My issue with it winning the production design and costume prizes is really to do with my frustration over the way period films usually always win design awards. I would never want to downplay the enormous skill that goes into re-creating a period setting but I find it far more impressive when production design and costumes are used in contemporary settings to express something about the characters. It&#8217;s an extra layer of meaning within a film that is often unnoticeable when done well. For that reason I gave my vote to <em>Mary and Max</em>  for Best Production Design and to <em>Blessed</em> for Best Costume Design. </p>
<p>As for <em>The Cat Piano</em>, I&#8217;ve been thrilled to see how popular it has become. It features three of my favourite things &#8211; a <em>film noir</em> influence, cats and Nick Cave!</p>
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		<title>By: Glenn</title>
		<link>http://blog.cinemaautopsy.com/2009/12/13/cinema-autopsy-on-the-2009-samsung-mobile-afi-awards-winners/#comment-1102</link>
		<dc:creator><![CDATA[Glenn]]></dc:creator>
		<pubDate>Sun, 13 Dec 2009 13:20:36 +0000</pubDate>
		<guid isPermaLink="false">http://blog.cinemaautopsy.com/?p=3311#comment-1102</guid>
		<description><![CDATA[Yeah, it pretty much panned out the way I expected/hoped. I was hoping for Ben Mendelsohn over Anthony LaPaglia, but can&#039;t really complain. 

I gotta call foul on your &lt;em&gt;Australia&lt;/em&gt; comment though. You truly think that &lt;em&gt;Australia&lt;/em&gt; didn&#039;t have the best costume design and production design of the nominees? I would&#039;ve been fine with &lt;em&gt;Mary and Max&lt;/em&gt; taking Production Design - such a feat that was - but, honestly. I know the movie isn&#039;t loved, or even liked, by many online, but &lt;em&gt;Australia&lt;/em&gt; deserved those prizes.

I&#039;m thinking &lt;em&gt;The Cat Piano&lt;/em&gt; will win the Oscar. It&#039;s a cinch to get nominated (and it&#039;s on the shortlist) and it&#039;s just so so good. Everyone who watches it falls for it instantly.]]></description>
		<content:encoded><![CDATA[<p>Yeah, it pretty much panned out the way I expected/hoped. I was hoping for Ben Mendelsohn over Anthony LaPaglia, but can&#8217;t really complain. </p>
<p>I gotta call foul on your <em>Australia</em> comment though. You truly think that <em>Australia</em> didn&#8217;t have the best costume design and production design of the nominees? I would&#8217;ve been fine with <em>Mary and Max</em> taking Production Design &#8211; such a feat that was &#8211; but, honestly. I know the movie isn&#8217;t loved, or even liked, by many online, but <em>Australia</em> deserved those prizes.</p>
<p>I&#8217;m thinking <em>The Cat Piano</em> will win the Oscar. It&#8217;s a cinch to get nominated (and it&#8217;s on the shortlist) and it&#8217;s just so so good. Everyone who watches it falls for it instantly.</p>
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		<title>By: moogirl22</title>
		<link>http://blog.cinemaautopsy.com/2009/12/13/cinema-autopsy-on-the-2009-samsung-mobile-afi-awards-winners/#comment-1100</link>
		<dc:creator><![CDATA[moogirl22]]></dc:creator>
		<pubDate>Sun, 13 Dec 2009 10:57:29 +0000</pubDate>
		<guid isPermaLink="false">http://blog.cinemaautopsy.com/?p=3311#comment-1100</guid>
		<description><![CDATA[A great year for Australia film. It would seem we are bouncing back from the slump of the last few years... decades... :/

I mostly agree with you on what I&#039;ve seen, but I personally found &lt;em&gt;Disgrace&lt;/em&gt; to be the disappointment of the year. It was just messy and didn&#039;t seem to have much of an idea of where it was going or how it was going to get there. Most of it&#039;s worth came from the subject matter it was trying to address, but given it didn&#039;t really interpret the plot in a comprehensive cinematic style, it fell through even on that front. Overall, not something I&#039;d consider worthy of awards such as these.]]></description>
		<content:encoded><![CDATA[<p>A great year for Australia film. It would seem we are bouncing back from the slump of the last few years&#8230; decades&#8230; :/</p>
<p>I mostly agree with you on what I&#8217;ve seen, but I personally found <em>Disgrace</em> to be the disappointment of the year. It was just messy and didn&#8217;t seem to have much of an idea of where it was going or how it was going to get there. Most of it&#8217;s worth came from the subject matter it was trying to address, but given it didn&#8217;t really interpret the plot in a comprehensive cinematic style, it fell through even on that front. Overall, not something I&#8217;d consider worthy of awards such as these.</p>
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